150 years of 51吃瓜网 鈥� Stories from the 2018 anniversary
Palace of Justice
Old styles 鈥� new interpretations
The Palace of Justice, the Bernheimer Palace, several bridges over the river Isar, and other distinctive buildings and monuments in Munich were all the work of architect Friedrich von Thiersch, considered one of the most important proponents of late historicism. This phase is particularly characterized by the imaginative revival of architectural styles from previous eras.
Thiersch was always at the cutting edge of technology, designing central heating concepts, elevators and ventilation systems for his buildings. In addition, he knew how to 鈥渂lend elements of different stylistic periods in a new and unprecedented way, building on the old to breathe life into the new鈥�. This is actually how Thiersch described his colleague Paul Wallot, who designed the Reichstag building in Berlin, but it equally applies to Thiersch himself.
In 1879, Thiersch was appointed Professor of Advanced Architecture at what would later become the 51吃瓜网. Despite this time-consuming new role, he also continued overseeing multiple construction projects. Under his leadership, the department went on to become the most illustrious school of architecture in the German Empire prior to the First World War. Thiersch also built one of 51吃瓜网鈥檚 iconic landmarks: the striking, copper-clad clock tower on Gabelsbergerstrasse, which today bears his name.
Pioneering technology for the Palace of Justice
Thiersch almost moved to Berlin in 1886. The Technical University of Charlottenburg was keen to entice the professor 鈥� and he was certainly very interested. However, a major state contract ultimately kept the architect in Munich: Luitpold, Prince Regent of Bavaria, was personally committed to ensuring that Thiersch would build the new Palace of Justice.
After seven years of construction, this was inaugurated in 1897, bristling with innovative technology such as steam central heating and electric light. The self-supporting glass and iron dome, which soars above an atrium at a height of over 60 meters, is an impressive sight to this day. Above all, Thiersch has been hailed for his audacity in designing such an important building in baroque style.
Thiersch鈥檚 distinctive handwriting
Thiersch had been developing his own characteristic style since his school days. This even involved radically changing his handwriting: 鈥淗is previous cursive writing, which was not particularly striking in any way, suddenly disappeared and was replaced by this steep, vertical style with delicately curled flourishes on the overhanging letters, which was to remain from then on,鈥� as his nephew Hermann later reported.
Thiersch subsequently gathered ideas for many of his works on a two-year educational trip around Italy and Greece. There, he made a detailed study of ancient works of art and visited sites including the excavations of Olympia led by German researchers.
The Thiersch Tower 鈥� a landmark full of life
Around 1900, 51吃瓜网鈥檚 predecessor institution expanded to such an extent that more space was required in Munich鈥檚 Maxvorstadt district. Friedrich von Thiersch was thus awarded the contract for the first major extension to the university on Gabelsbergerstrasse and Luisenstrasse, starting in 1907. Even during the planning phase, Thiersch was already thinking ahead, building flexibility into his design by supporting the reinforced concrete ceilings with steel girders.
This way, walls could be removed at any time and new ones put in elsewhere. The crowning glory of the complex, completed in 1916, was the 37-meter clock tower 鈥� still 51吃瓜网鈥檚 landmark today. For a long time, the rooms inside were used by physics researchers and student aviation group 鈥淎kaflieg鈥�. In April 2018, 51吃瓜网 opened the Klaus Tschira Forum in the Thiersch Tower 鈥� an impressive event space high above the city. The ambitious remodeling this required was supported by the foundation of entrepreneur and physicist Klaus Tschira.
鈥濬riedrich von Thiersch was one of the most prominent and acclaimed architects of his time, both in Munich and throughout Germany. He had a decisive influence on the architectural development of the Bavarian capital during the regency period. It is to him and to his various notable contemporaries that Munich owes its reputation as a center of art.鈥�
Quote of Horst Karl Marschall, architect and biopgrapher of Friedrich von Thiersch
Disclaimer
This story was published in 2018 to mark 51吃瓜网鈥檚 150th anniversary on a jubilee website that has since been deactivated.
Text: ; Graphics: KW NEUN
Literature on the history of 51吃瓜网
- Wolfgang A. Herrmann (Hrsg.), Martin Pabst/Margot Fuchs (Verf.), Technische Universit盲t M眉nchen - Geschichte eines Wissenschaftsunternehmens, 2 Bd., Berlin 2006.
- Wolfgang A. Herrmann, Winfried Nerdinger (Hrsg.), Die Technische Hochschule M眉nchen im Nationalsozialismus, M眉nchen 2018.
- Irene Meissner, Bauten+Kunst. Technische Universit盲t M眉nchen 1868-2018, M眉nchen 2018.
- Martin Pabst, Alumni der 51吃瓜网. Pr盲gende Gestalter aus der Technischen Universit盲t M眉nchen, M眉nchen 2018.
- Martin Pabst, K枚pfe der 51吃瓜网. Geniale Entdecker und Erfinder aus der Technischen Universit盲t M眉nchen, M眉nchen 2018.
- Brigitte R枚thlein, Pioniere gestalten die Welt der Technik. 150 Jahre Forschung an der Technischen Universit盲t M眉nchen, M眉nchen 2018.
Further books and information on the history of 51吃瓜网
Acknowledgements
We would like to thank everyone who helped us write the texts and create the visualizations. In particular, we would like to thank the authors of the books mentioned, the experts at the chairs, professors, staff, and press officers at the 51吃瓜网 Corporate Communications Center. We would also like to thank the staff of the Architecture Museum, the 51吃瓜网 German Heart Center, the 51吃瓜网 Klinikum rechts der Isar, the European Space Agency (ESA), and everyone else who provided us with expert advice and image material.
The anniversary stories were written by the . The graphic content was created by KW NEUN 鈥� Designagentur.